Emails
from India 1 | 2 |
3 | 4 | 5 WHERE DO YOU GO? This morning Brian
awoke with a revelation in which the tourist industry is organized crime
of petty thieves in a theatre putting on an act to magically manipulate
us into opening our wallets. I walked the streets
trying to remain open to absorb the new sites, smells and sounds when
suddenly a little tout appeared right in my face. He stumbled over my
feet almost getting run over by a zooming Ambassador mobile, he shoved
his specialty into my face, "POSTCARD, sir?" No does not mean
No. You must be inventive in your response to play the game. The questions
start any second now so you'd better think of something quick. WHEREAREYOUFROM?
WHEREDOYOUGO? WHATISYOURNAME? WHATISYOURPROFESSION? HOWLONGDOYOUSTAY?
I answered his top 10 questions. I fictionalized my response. "I'm from a headhunting tribe in Zimbabwe." "I collect donkey ears to make coin wallet key chains". Next strategy, I posed the questions. This quickly became boring; he only knew enough English to be the interrogator. Unsuccessful, I became one of them. Like a mosquito, I pestered him with questions one after the other until I hit the last one- ‘What would you like to become- A BEGGAR, A THIEF, A TOUT, OR JUST WOULD YOU LIKE TO BOTHER ME?!!’ Sarcasm gets you nowhere. I had offended the child, he was confused, hurt. He suddenly became human, no longer the flea, but scared of my accusations he disappeared. I had won over. The touts are finally gone, but there was an expense; I had been forced to put up a guard, expend negative energy. All Buddhist stature dissipated into a defensive cruelty and I was the rich tourist and they but the desperate poor. "WHERE DO YOU GO?" can be answered in many ways when you travel. Insane can be one of them when traveling in India.
Some mornings you wake up with your urban instincts and within minutes another flea tout is buzzing around you. "GIVEMEARUPEE!" "GIVEMEYOURSHIRT!" "GIVEMECANDY!" "GIVEMEMONEY!" I stopped and looked into his raccoon painted kohl eyes. I redirected all my attention on him. He diverted me from the 11c Jain1 temples surrounded by spring green fields turquoise painted doors on adobe village houses and women dressed in colorful saris bent over beating laundry. Then I lost it. ‘I'LL GIVE YOU SOMETHING, HOW ABOUT A KICK IN THE BUTT!’ Once again, I have conquered the tout and he scampered off like a monkey melting into the landscape he had interrupted my eyes from. With all cultural differences-what is right to one is wrong to another. India to the Westerner has a huge gap between the two. You will witness the clash when experiencing colonial England's leftover formality clumsily interpreted by middle-aged independent India. ‘Fawlty Towers’2: In the lobby of a Varanasi3 hotel, multiple Manuels ran to and fro like little mice up and down the stairs as the hotel manager continually rang the bell while rolling his eyes at the incompetence of his staff. If they just got rid of the silver platter the awkwardness would go away. Displaced remnants of England is also part of India's charm and history.
When we returned from the Kumbh Mela4 (the 144th anniversary of the holiest Hindu festivals in the world) We stopped at our Varanasi hotel to encounter Manuel who grabbed our bags and rushed upstairs like Quasimodo mouse. In his rush he dropped my sandal of which the hotel manager retrieved from the stairwell. I inform him it was mine. Consequently he could not decide whether to give the sandal to me or to Manuel. It was a stalemate hot potato game with all 3 of us reaching out for the sandal and our heads turned back and forth at one another wondering what to do next. It was then that I imagine Basil jumping over the banister, bopping Manuel on the head, grabbing the sandal, accidentally ripping it in two and with a slow motion bow reached out to give me my torn sandal. When I entered my room, I closed the door. Solitude at last. It was then that I began to understand the life of a Saddhu5 could only have originated in India. This is a place where finding yourself alone is like finding the goose that laid the golden egg. I began to understand Indian culture by its revolving around a population of nearly one billion. For instance, while on my travel of a 2 hour bus ride turned 12 hours, with my legs propped on top of luggage, a woman's babe in your arms, my neighbor's elbow in your face, my arm hanging above holding on, I felt like a retarded contortionist attempting yoga class. Yes, stretching your limbs like a pretzel will help make an overcrowded bus much more pleasurable. And hence you will take a few yoga classes on your trip to understand ‘The (partial) Way. Breathing is also something one must relearn. On the crowded dusty Oliver Twist streets of Calcutta6 you can practice holding your breath for blocks at a time and thinking to yourself, "It’s not so bad, it doesn't smell if you don't breathe so much." Back in my hotel I practiced my yogic fire breathing exercises to clean the black guck out of my nostrils to prepare for a new day. Scanning the streets of India is like eating Thali7 with your eyes. If you examine your plate- bits of spicy sauces in neat shiny silver compartments being scraped up with steaming chapatti- it conjures visions of Rajasthani women in hot fire red , orange, gold green saris, silver anklets, purple glass bangles and ear and nose rings of shiny gems. They walk past you like instruments. Silence is death and loudness is life. Cage's 4'33"8 would sound like a noise band if recorded here. Everday is a new experience and no experience how bad it seems, is a wasted one. We stopped by Gaylord's to see the local folk dance after exhausting Khujuraho's "to do" possibilities. On stage out jumped a campy "gaylord" and a transvestite gone whirling Dervish to demonstrate a "Rai" dance. This was followed by a "Peacock dance" "Harvest dance" and a "Holi dance”; all of which were exactly the same- rejects from a Bollywood soda commercial. Something was a bit suspicious on the scene. I sat back politely anticipating the end only to conclude that the Tourist Theatre can be a tragic comedy and I had been playing the leading role. 1. Jainism is one
of the oldest religions of the world. It believes in a cyclical nature
of universe and a universe without a beginning, without an end and without
a creator. Philosophical principles of Anekantvad (Non-absolutism or multi
sidedness) and Syadvad (Relativity of truth) are unique only to the Jain
system of thought. Karma theory has its roots in Jainism.
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